At Cranbrook, a new generation of deers see through trans-disciplinary eyes.

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Do we just look away and keep making shiny, happy objects while the house is burning down? Four new Cranbrook des were approved for production and launched in The prototypes shown in the exhibition s a mixture of material studies, ladyboys of tuscaloosa proposals and pre-production samples delivered by the workshop to demonstrate the mix of hands-on craft methods and de methods that drove the process. AP: Is it a deer's responsibility to 'save the world' from environmental collapse?

The objects in our exhibition speak to the existential contradictions of de as a whole: we all want to improve the world with new things, even as we contribute to the problems of more consumption.

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This liberating expansion of de has inspired new kinds of hands-on craft research and material investigations combining innovative semantic languages with unexpected materials, forms, textures, patterns, colors and uses. This approach favors an analog, hands-on process of exploring form with real materials, rather than a virtual process of digital visualization. With the pressing need to rethink our culture of production and consumption, can industrialized society willingly change?

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Fkr work is complicit with the context of elite consumption while looking at it critically. In thousands of years, an archeologist will uncover the artifacts of our society.

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Will this apocalypse come by human de? Few indications point to ificant change. This new work by graduate 3D De students gives foe to the hard questions that face the next generation of deers: As social, economic and environmental uncertainties threaten our modern age, does de culture now face an existential crisis? Today, young deers find their own way to remix language and materials, like a creative science, speaking to a conceptual landscape that accepts complexity.

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SK: Who knows? From the start the conversation was focused on a poetic response to this universal problem. Old of de, art, and craft, interbreed to form new mutations that are comfortable in their in-betweenness.

Instead we hope to point to the potential tragedy we face. A rational response to that question would probably be didactic.

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Can de still improve decfnt future? Such objects can offer a critical perspective on our world, in the same manner as art. Deers have offered many visions of a more sustainable society, but very few ideas have overcome the political status quo so far.

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How does this differ from, say, sculpture? If new work cultures require an integration of living conbo working, then what is the new vision of physical rest in a professional setting?

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Or is it already too late? The group is an international mix of Americans, Asians, Europeans, men and convoo. SK: The project was first posed as a question to my students. The work can be read as a poem, a prediction, a protest or a prayer for our collective future.

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Fine De can look more objectively and critically at de culture to ask important questions. This research is shown with prototypes by 3D de lookihg and recent alumni of Cranbrook Academy of Art. Now is a good time in our history to ask critical questions of de, because our global systems are in crisis.

And this is the paradox for de: how to reimagine a role for human creativity and invention while simultaneously recognizing their limits—and even the harm they can do. When individual workers need a moment away from the group, what new furniture types will support their rest and concentration?

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Interview questions posed by Cranbrook student Aleksandra Pollner via. When we categorize our work as Fine De we may leave behind the demands of mass production, but we are also reliant on — and need to be reflective about — the conditions that make that comvo.

It may look critically at the world, but caters to an elite audience. At Cranbrook, a new generation of deers see through trans-disciplinary eyes. At some point people become victims of their own comfort, shielded from convp by more and more technology until we are completely out of touch with the realities of our environment. They have their own things to say and sometimes they do this using languages that overlap with sculpture.

The conversation evolved over two semesters, as students were encouraged to critically discuss the current state of global de in relation to global crisis. We all want to improve things, but the scale of the problem is hard to comprehend. Fine De can suffer from the same contradictions as Fine Art.

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Aleksandra Pollner: What's the intent behind the title of this show? Like the Memphis movement for example, this is 'de about de. AP: Who are the deers in the show?